Alternatively, using the compressor on a full mix, the added harmonic content can energize, and add cohesiveness and detail. The M-A-S can add consistency as peaks and harsh transients get smoothed and absorbed into the performance, making balancing tracks in the mix easier, and lessening the need for bus limiting down the line. You can use the M-A-S Compressor on individual tracks for cumulative benefits. ![]() The Overstayer M-A-S gives you the harmonic character and peak rounding of classic recording and mixing chains in a simple, highly controllable rack-mount unit. On one of Pensado’s Place tutorials Dave shares 3 pieces of gear he uses on every mix…Ģ channels in a single space 19” rack-mount chassis Sly Fi - Axis, Deflector & Kaya (Kush Audio)Īvid – HD I/O 16x16 Digital (Modified x3)Īrgosy Dual 15 workstation w/ 800 Racks (Carl Tatz Editon) MXR – Custom Audio Electronix Boost / Overdrive Kush Audio – Clariphonic MS 2-Ch Parallel Equalizer TC Electronic – G-Major 2 Multi-effects Rackmount ProcessorĮventide Orville Harmonizer Special Effects Processor Shadow Hills – “Pensado Edition” Dual Vandergraph
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